Shot Lists, Shot Planning & Storyboards
Some years ago, I remember hearing that director Gary Ross had a shot list for the film Seabiscuit that was triple the length of the screenplay itself. While it may be overkill (and then again, maybe not), it can’t be overstated enough that failing to plan [...]
As one of the lead producers of this indie film, I was engaged from casting, to camera tests, to raising financing, to final deliverables; as well as years of residual accounting to our actors and shareholders.
Clear creative goals, great notes, and 10 days to write, shoot, edit and deliver. No problem!
My first feature – and indieWIRE says “”Rich and intense…extraordinary performances. This film could easily sit alongside Eugene O’Neill’s Long Day’s Journey Into Night.” Yeah, we’ll take that!
The Universal Studios backlot, eight cutting-edge digital cinema cameras, nine field documentary teams and over 300 volunteers. No sweat.
Over 900 individually hand-animated frames made this Flash media one of my favorite pieces in my career, and over a decade later it still rocks.
BBO was my first foray into the world of Reality Television and one of my fondest memories. With small field teams, extensive travel, and oh yeah, awesome motorcyles.
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